paris?

Bergen Talk- 18:30

18:51.
I think there are formulas.
Everybody knows about it.
And whatever I say now
you can protest against it.
Something is recognizable.
That was called.
Today.
This title already says.
so they have to do something.
else. irony.
I take something from
here and there.
and that was it.
Beside it self.
And eerh.
I think the.
Very beautiful and it was
in October.
But sometime ago
a new generation
came in in October.
And there was an answer.
Half a year after that.
then. I think.
And. and he wrote.
Something. First article.
He will know of course.
Beside itself.
Not easy to explain for me.
But OK.
I think you should.
This is the question
of attitude.
I misunderstand.
For me.
Positions.
Which could.
Different possibilities.
Serious.
Of what we do.
If it is it.
The issue.
erhm.
Or if it becomes.
repositioning.
towards something.
basic form.
Because it is so well understood.
everyone knows.
I know.
You know.
Everyone knows.
Parents and children.
It is more.
You know.
I know.
It is not.
for you.
Outdated view.
Within.
How people think.
I think.
Mixed complications.
means
totally messed up situations.
Maybe.
You are just lying.
Play safe.
Could be easier.
In the Game.
From somewhere else.
He prefer.
Already.
But it doesn't work like that.
If you say.
Functions better.
Unlike.
value.
Structure doesn't change the game.
Materials.
That are not.
It will turn into the same system.
You know.
I know.
Whatever.
Everybody knows.
Quitting.
Disappear. Ja.
They lost.
Maybe.
To do it.
For entertainment.
Dandy. Once.
At least.
If everybody
likes to be.
He will prefer.
Everything.
To be. Then he
would be something else.
Counter.
Dandy. Once.
Office. Under.
Of course. With This.
The idea.
Situation.
When you're not able.
It wasn't worth the whole thing.
You could see.
I could see.
Everybody could see.
In relation to this sentence.
That's the worst thing.
Under.
little bit.
Coming Back.Coming Back.
How do you see?
Act.
Necessary.
Maybe.
Once.
Twice.
In both.
But also.
too.
The title.
English.
Sort of.
Issue.
What we've spoken about.
recognizable.
Also.
Memory.
Complex.
Very Complex.
So maybe.
To perception.
Attitude.
Idea.
Instead of simply Irony.
I think it's also, just the idea of...of...of...
Monochrome. but it's the whole choice.
It's all at work. this this.
In choice.
before.
before.
before the actual event.
But i don't think.
Dandy.
Don't wanna work.
Yeah.
Dandy.Classic.
I didn't update!
Post-office.
Yes the picture.
What they did.
They did less.
The shoes.
You. You.
Hand in your pocket.
Less instead of more.
Something less,
as opposition.
Not only less.
Industrialization.
recycling.
reception.
visibility.
Kind of?
Sort of.
Kind of work.
Hyper.
I don't know what to say.
How doing more.
how doing less.
The game.
This is like.
That is not stable.
on top.
on top.
it can. ja.
It doesn't go right,
too much, goes left.

You drive backwards-
We're nearly at a point.
A step forward-
You can't be really
sure. There could be a lie.
And. That.
Identify.
Good or bad.
It's kind of. Like.
Trapped.
Limbo. Between.
it didn't make sense.
You know.
Fixed position.
In a certain way
Could be both.
Cynical. honest.
Depending.
Subject.
Underneath.
On the surface.
What ever.
Text.
My favourite.
He gave.
I gave.
Everybody gives.
Talk. Talk.
Film and TV.
It is about.
That's the Material.
Before.
Normal Life.
Issue.
Sometime Ago.
Books.
It's there.
70's.
Not new.
Issue.
And.
Here and there.
Allover.
Double Double Agent.
Invisible.
Do something.
Aggressive.
Nobody Knows.
Weather.
Instead of a tortoise.
Weather.
Near. Hardest work
at the moment.
To give.
Weather.
Artificial.
Stupid.
You.
Realm of cheating yourself.
Bad. You can tell.
No.This was a trick.
It was impossible.
That was what it was about.
In general.
Well. I just feel.
I just.
I don't. really.
The surface.
Probably. Than others.
Surface.
How to do it?
Also.
Playing.
Then you wouldn't have.
Dandy.
Chapter.
The Idea.
Invisible.
But i guess.
Talk about.
The four.
How?
Is there a deflection?
Like, is there refraction?
If there is.
It is hard.
When light hits something.
But not absolutely.
Sometimes.
There is a direct correspondence.
Defending.
The viewer.
Not.
Pay for that.
I see it like that.
Because.
I think.
Is interesting.
All of.
erhm.
I guess I might.
I always assume.
See it before.
people.
very rare.
Themselves.
A vision.
They get there first.
That is a rule.
Pickpocket.
Doing it.
Situation.
Responding.
Oscillation.
bouncing.
Not.
Dialog.
criminal term.
Coming Back.
Weather.
Many ways.
Conversation.
showing.
Hinting.
Viewer.
somehow.
There's someway to get in.
Level.
erhm.
So maybe.
These ways of showing.
I just did this.
He Talks.
He would.
He says.
picking up.
That much control over it.
about. such and such.
different. had planned.
that happens.
I wonder. if if if if. if you guys.
loss of control?
the outcome.
In the Making.
Like.
A kind of.
I'm. On this site.
To do that.
It seems. erhm.
it seems. erhm
That we all. Maybe are talking.
that. erhm.
Too much.
That erhm.
Activity. Less. erhm.
so. Contradiction.
Once we start.
Too much.
Already. erhm. Contradiction.
Subtract.
We all do that in different ways.
erhm.
That's Like.
fundamental.
In a way.
Or.
Sort of.
Like a.
Intense.
Contribute.
Sign.
Yeah.
How do we make it less?
I don't.
really think.
erhm.
needs.
really.
That's all.
Yeah.
How we make it less.
Why?
All over. In it.
It doesn't say why?
Not mentioned.
I read it a lot.
Care.
To think about it.
I like this.
I am human.
Myself.
Stage.
Somebody else.
It is not said.
I could say that.
That's a new one.
silence.
Revolving.
This idea of.
opposition.
In some form or not.
form. Reception.
or what not.
I would like.
Dandy.
Wrong. Forever.
Cried.
Reasonable.
Game.
That's How i see it.
It is just.
no result of this.
stage.
Stage. Yeah. Ahem.
classical.
Truth.
You know.
I know.
Everybody knows.
Fool them.
and so forth.
That still.
exist.
I Agree.
How is that constructed.
In absence.
Fragment.
Yeah.
Well.
If i can jump in.
really fast.
You know. I know.
Everyone knows
I can't speak for you guys.
Form.
Within.
You can't.
I can't.
Nobody can't.
Just to Give up.
Or.
To a certain Degree.
Maybe.
Look for,what it does.
Can be.
I think.
Back and forth.
two.
three.
rejecting.
At least.
Things.
And. Someone.
Quit.
No sense anymore.
at this point.
Basis.
Sense or not.
Constant.
Become.
Very much.
Kind of.
Stage.
You don't.
That's what you do.
In.
Form.
of.
Desire.
Life.
Construction.
Kind of.
Positions.
Jumps.
Total.
And.
Is Kind of.
Engine.
Right now.
Production.
Says.
Viewer.
Kind of.
Something.

lidt ældre stass

ja det er noget gammelt noget det her. jeg synes ikke jeg har skrevet om den før.
men det var egentlig bare lige fordi jeg hørte lidt joe jones og hans skulpture.

ECHO- the images of sounds vol II - faktisk udgivet Paul Panhuysen som du også har skrevet om før simon. nå men den findes her:

http://sharebee.com/f4e027c5


men der er også nogle meget fine andre ting, bl.a. en lille bid af yoshi wada.fint fint.

men der var også lige lidt Jean Tinguely, og lidt optagelser hans objekter.

http://www.mediafire.com/?ja0czczmzjm

det er jo ikke meget. men ja ja. det kommer altsammen fra continuo.wordpress.com

Zweifel Für Den Zweifel

Jeg så forresten de her to i Berlin sidste år.

og så: http://www.youtube.com/watch?v=7j3trCjVM8Q&feature=related

og ps. http://plasmapolice.de/index.php?/2010/live/

Playing for pocket change.

Jeg passerede Saw Lady i undergrunden på union square en dag i denne her uge. Jeg kan ikke lige huske hvilken.
Jeg spekulere altid på, om der mon findes en blog med musikken fra gademusikanterne i NYC hver gang jeg er her. Man støder altid ind i et eller andet obskurt musik på de forskellige metro-stationer. Og der sælges gerne cd'er... (noget at samle på?)
Og nu var der tilfældigvis en hjemmeside på damen-med-savens t-shirt: Så starter surfningen og Suddenly Tragic Productions har indtil videre produceret fire korte afsnit om gademusikanterne.

http://vimeo.com/album/261694

Og egentlig er det her vel spørgsmålet om musik som muzak (som musik?)

Ol' Times ··· Israel i Egypten, Grønland og deslignende

Idag er det 122 år siden, at det man længe troede (indtil et par år siden) var den ældst bevarede optagelse fandt sted (- ja, der er vidst et rekordagtigt tema kørende her). Og det synes jeg næsten I skal høre. For det er et kor på 4000 mennesker, der synger Händels "Israel in Egypt" ved The Crystal Palace Händel Festival i 1888. Men det lyder nu ikke helt sådan længere. Det kan findes her med en lille bonus af andre gamle optagelser (der oprindeligt stammer herfra med flere spændende sager).

Faktisk er det en franskmand der hed Éduard-Léon Scott de Martinville, der eftersigende står bag de allertidligste optagelser - såkaldte phonautogrammer optaget af en phonoautograf patenteret helt tilbage i 1857 (se evt. mere her).

Og nu når vi er ved historiske optagelser, så vil jeg gerne reklamere for denne samling af traditionel musik fra Grønland optaget mellem 1905 og 1987. Samlet af den danske etnomusikolog (eller hvad det nu hedder), Michael Hauser. Han har også skrevet en bog, som jeg lige har lånt, bl.a. med flotte billeder i

På ovennævnte samling er der dog ikke nogen eksempler på Inuitternes strubesang. Det kan I eksempelvis finde på Ubuwebs etnopoetics (her fra Canada godt nok) - nærmest en blanding af tung stønnen, mystisk beatboxing og noget tredje jeg simpelthen ikke ved hvad hedder. Det er nogle sanglege som kvinderne foretog sig mens alle mændene var ude og jage. Og det er virkelig noget for sig!

og tak for klaverstykkerne, kristian - de er virkelig flotte. (Selvom jeg nu godt kan få det lidt svært når hr. Prokofiev beslutter sig for at der skal ske en hel masse på ganske kort tid, der er nok noget jeg mangler at lære). Men helt og aldeles uforceret fra hr. Richters side af. Let og tungt på samme tid - gad vide hvordan sådan noget kan lade sig at gøre!?

Ol' Times ··· en stor døv, død mand, blodmanglende piger i sneen og deslignende

Tillad mig at præsentere monsieur Alphonse Allais:

Mest af alt en digter og forfatter, der levede i Paris, blev født i 1854 og døde i 1905. Jeg har ikke endnu læst hans skriverier, men de skulle eftersigende være ret spøjse og ganske underholdende. Han er samtidig også ophavsmanden til den ældst kendte komposition uden en eneste lyd i sig, hvilket var det, der bragte mig på sporet af ham; nemlig Marche Funèbre Composée Pour les Funérailles d'un Grand Homme Sourd - "dødsmarch komponeret for begravelserne af en stor, døv mand", 24 blanke takter med tempoangivelsen lento rigolanda – noget i stil med "langsomt med stor nøjagtighed".

Det er lidt usikkert, så vidt jeg ved, hvornår stykket blev komponeret, men det blev i al fald udgivet i 1897 i en samling af værker kaldet Album Primo-Avrilesque (55 år før 4'33'') :

I samme album er der også printet 7 malerier, hvor det første blev vist frem allerede ved en udstilling i 1884 (muligvis sammen med ovennævnte komposition), helt og aldeles hvidt:

en oversættelse af titlen kan lyde noget i stil med "unge anæmiske pigers første kommunion i en snefyldt tid" (anæmi er en form for blodmangel og første kommunion er et katolsk ritual i stil med konfirmationen)

Jeg kan ikke finde oversættelser af dem alle og google translate yder en til tider tvivlsom hjælp, men jeg har tænkt mig at spørge en franskkyndig en af dagene. Og I får lige resten af billederne, de er så flotte !

apoplektiske kardinaler høster tomater ved Det Røde Havs kyst (studie af Aurora Borealis)

en samling af fulderikker i tågen

manipulation de l'ocre par des cocus ictérigues

Des souteneurs encore dans la force de l'age et le ventre dans l'herbe boivent de l'absinthe

(noget med pimps der ligger i græsset og drikker absinth)

Negere slås i en hule om natten

Stupeur de jeunes recrues apercevant pour la première foirs ton azur

O Méditerranée!

Svjatoslav Richter

Schubert: Klaver Sonate Nr.14 i A-, Op.143 D.784
og Prokofiev: Klaver Sonate Nr.8 i Bb, Op.84

Endelig fandt jeg tid til at få lagt noget Richter op jeg har haft intension om det sidste halve år... I sidste uge spillede jeg de her to kompositioner af Schubert og Prokofiev med Richter på tangenterne i städels lydstudie.

Jeg synes at der er noget der går igen i begge kompositioner. Eller fordi de modsiger hinanden. Det kan også være udførelsen..? Der er ikke nogen kompositorisk sammenhæng som sådan mellem de to valgte stykker. Det er nok mest af alt nærværet af Richter der kæder dem sammen. Men måske er det også Prokofievs sensible opbrydning af form der modsvare Schubert?

Fortællingen er forskellig. Schubert er næsten monoton og meget repeterende mens Prokofiev mest er hurtigt fortællende og skæv.

Jeg lavede en plakat i anledning af den lille lytte event* i silketryk. Den er trykt med blå og sølv, men det kan ikke rigtig ses på fotoet. Blomsten på plakaten holder Richter i hænderne efter en koncert, tror jeg. Billedet er taget her fra: http://www.sviatoslavrichter.ru/photos.php med billeder af Richter. Altid velklædt!

*Er der noget godt ord for denne slags event? Lidt som ordet "screening" om film. Så sig lige til. Jeg kan simpelthen ikke komme på noget. Det bliver til musikklub eller lydbiograf. Og de er ord jeg ikke er særlig glad for. Helst et verbum.?

ps. og tak for en dejlig aften i kongens have!